We’re coming up on the eleventh Christmas in a row without even the slightest trace of snow where I live, so I’m once again going to accomodate myself – and you, if you like – by posting a bunch of winter-scenery screenshots as a consolation.
So put on your virtual mittens, it’s going to get cold.
I’ll start off with Black Desert Online once more, because damn, does snow look good in this game. I love how it even covers the appropriate parts of my character.
In the real world there is no ice or snow on Venus, but in Warframe there most certainly is. It’s not my favourite planet in the game by a longshot, but that’s mainly because of the enemy faction that’s residing there. The planet itself, especially the open world zone Orb Vallis, is gorgeous.
Space is always cold and dark? Cold yes, but definitely not dark, at least in EVE Online it ain’t.
I’m not certain whether this has something to do with the currently ongoing holiday event, or if metaliminal storms can look like this all year round, but seeing it basically snow in space was a sight I sure wasn’t expecting.
Dashing through the snow in ArcheAge. No sleigh though, just one horse.
Star Wars Battlefront wasn’t a very good game, but the graphics (and sound too) were pretty amazing. It really felt like being in the middle of a huge battle on Endor or, in this case, Hoth.
This is what a winter’s night in 14th century France looked like, at least according to A Plague Tale: Innocence. Really makes one crave for a hot mug of mead at the bonfire, doesn’t it?
Arknights has its share of winter stages too. I especially like how even the enemies’ clothing fits the theme.
My operators always look the same however – luckily for them this game isn’t one of those bent on skimpy outfits, as you can see. SilverAsh (the guy with grey hair and cane) even wears a coat with fur collar, so all is well.
One of the great things about Genshin Impact is that pretty much nothing you see is just a backdrop – if it’s there, chances are you can actually get to and set foot on it.
The same is true for the mountain you see in the background up there. You can even climb all the way up to the top. It’s not just a mountain either, it’s actually a whole region with its own quests, puzzles, treasures and enemies.
It’s also the only place on this list where the cold has an actual effect on the player: staying there and not being near a heat source fills up your cold meter. Once that’s full you continuously take damage and will die if you don’t act on it. I admittedly don’t like mechanics like that very much, but hey, at least the snow isn’t mere eye candy this once. Also, you can cook and eat goulash, which halves the rate at which your cold bar fills up for a while. I like goulash!
I really need to do this more often. Stop exclusively playing years- or even decades-old RPGs for a bit and give some contemporary games of other genres a chance, that is. It’s so worth it!
I’ve had Plague Tale (I’m not going to type out the whole damn title every time) on my radar pretty much since it launched two years ago, maybe even before that. However, I was always too busy playing other things, as usual. A couple of months ago it was heavily discounted on GOG, which at least made me pull the trigger on the purchase, and now I’ve finally played it through.
My very first impression of the game was “Hell yeah, I’m really going to like the music in this one!”, as the title theme that runs while you look at the starting-screen above instantly hit all the right notes for me (pun intended), not least because the Nyckelharpa is one of my favourite instruments.
Here’s the track, right at the start (the rest is worth a listen too though):
I’ve already bought the album so I can listen to it while I’m not playing. Well, and to support the artist. I really hope he’ll score the sequel too.
My second impression, which I got immediately upon entering the game proper, was “Wow, this looks freaking awesome!”, because it does.
As I alluded to in the beginning, and also already observed back when I was playing The Medium, a lot of technological advancement has obviously happened in recent years without me even noticing. That’s what I get for always playing the same old stuff.
Anyway, about the game itself. The story takes place in 14th century France, which is a pretty original setting for a video game, and also quite an interesting one, what with the Hundred Years’ War going on and the plague running rampant at the same time. It’s pretty bleak though, that’s for sure.
The game’s main character is Amicia, a teenage girl of noble descent, who has to outgrow herself and take care of her little brother, Hugo, when everything goes to hell.
While the armies of plague-bearing rats that give the game its name and logo are not actually the main antagonist – that questionable honor goes, no surprise there, to other humans – they are often the biggest obstacle to survival during the game’s first half or so.
Having a light source available is usually the main concern, and much of the early gameplay revolves around that.
I’ll admit that I was initially quite nervous about having the little brother around all the time. I mean, let’s be real, in the history of video games escort mechanics have pretty much always sucked, and hard.
But lo and behold, it works surprisingly well here!
Amicia can tell Hugo to stay put or follow her around. The latter is almost always preferable as he gets nervous quickly when his big sister isn’t near him, but that’s ok because he isn’t a burden at all when he’s holding Amicia’s hand, and it happens only once or twice total that game mechanics force them to separate briefly.
Even more surprising: Hugo is actually of help! Due to his size he can slip through openings Amicia can’t, enabling him to open locked doors from the inside and stuff like that. At other times it’s just another pair of hands that’s needed, like when multiple levers have to be pulled simultaneously. Controlling him in these situations is as simple as looking in a specific direction and pressing the corresponding button.
I never thought I’d ever say this, but not only do the escort mechanics not suck in this game, they actually add to the experience by making me as a player feel the bond between these characters, struggle with them and root for them. It’s an astounding feat, but they did it!
In regards to combat the game finds a somewhat believable balance by Amicia neither being completely helpless nor mutating into a first class sword fighter overnight.
In the beginning her only defense is to throw rocks at something (or someone) or shoot those same rocks with her sling for a little more impact. Over the course of the game she adds various tricks to her arsenal though, conveniently right when she needs them to overcome the odds at hand.
Lighting fires or snuffing them out, temporarily luring rats to a specific location, using some sort of acid to make soldiers take their helmets off, making them vulnerable to headshots, and more such gadgets need to be used as the situations the little family finds itself in dictate it. Overall I thought this worked pretty well and prevented the gameplay from getting too samey.
However, I didn’t care much for the (fortunately rare) bossfights, as juggling, timing and aiming all those gadgets while staying on the move got too hectic for my taste. I’m not fond of bossfights in general though, so that’s probably not a huge surprise.
There’s also a rudimentary crafting system, because of course there is. It seems that no Action Adventure (I guess this is what it is, isn’t it?) can not have one of those these days.
To be honest, I could have done without it just fine, but to be fair, it obviously makes sense that Amicia doesn’t just have unlimited amounts of her gadgets on hand. So she collects rocks, sulfur, saltpeter, alcohol and other ingredients as she goes and crafts the various types of ammunition as needed. Upgrades to her sling, bigger pouches and stuff like that are made at crafting benches scattered across the game world. Which is strictly linear, by the way, there’s no open world to get lost in here.
Overall, I’m very satisfied. I played through the game in just shy of 14 hours, which felt neither too long nor too short. The story is good, characters are relatable. The gameplay isn’t exactly groundbreaking, but felt kinda new and fresh nonetheless. Graphics and sound are stellar, as are the controls (I used my XBox 360 controller again). Despite the graphic fidelity (and an install size of 41.5 GB to go with it) loading times off an NVMe-SSD are very short.